b 13th Boy
9-11: Oh, 13th Boy, you are nearly over, and it has been a ride. I would hate your heroine in real life and find her generally unsympathetic, yet you keep me reading. Mysteries are revealed, choices will have to be made; it's a romance, but how can there possibly be a really happy ending?! I hope to find out.
b Black Butler X: Well, I'm glad THAT character wasn't dead. Seriously, I doubt anyone really thought he was. The mystery was more going to be in how he pretended to be a corpse while also doing everything else . . . "This is vicar Jeremy Rathbone." Bwaha. The Sherlock Holmes references are not subtle at all. : ) And, oh, Tanaka. I'm so glad you get to be more than that weird, laughing chibi-guy who never does anything significant in the anime.
b Dengeki Daisy 10:
Things were certainly going okay there for a while, which is always a nice change of pace, but, well, you knew it couldn't last, and you were probably hoping it would be over soon, but the webs are converging, the relationship is still hilarious and chaste, and there is danger lurking. Next volume, please? Pardon me while I go try to get that song out of my head . . .
b Descendants of Darkness
1-3: Wow, um, this is really bad. Like, painfully bad. It's incoherent, the art is all over the place, and the plot is, well, obviously not the most important thing. It has lots of atmosphere and terrible things happen and there is horror imagery that's just shivery gross. Maybe why the audience skews younger and more sensational-craving. I would categorize it as not as dark or polished as Kaori Yuki's stuff. I remember it getting "better," but since I'm randomly missing volume 10, I should wait until I stumble across that really cheap somewhere before I binge. Not like it's finished anyway, so I have lots of other things I could read first.
"I'd rather suffer than regret." - Tzuzuki
"I won't make a promise I can't keep, not even to make him feel better." - Hisoka
b Gimmick 3-8: I read the first couple of volumes of this shonen story about a special effects makeup artist genius in his early 20s years ago, and I remember reading something (maybe a review) somewhat recently that mentioned how the series got better. It did. And more ridiculous, but how can you not love a series with lines like the following:
"The Unholy silver spatula!" 3
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"You mean we're being exposed to hidden messages all the time?"
"What a horrible thought."
"Don't ever forget! Images can lie!! Don't just blindly accept any information from a stranger! Be suspicious! Think for yourself! Figure out what's real and what's a gimmick! Don't be fooled by images!!" -5
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"We've waited a long time for this, Kohei Nagase: me and my evil spatula!
And that cover for volume 5 (you have to be able to see it up close and detailed to see the characters' expressions. Well, volume 5 in general was pretty powerful. There was a lot of passion about the power of artists and images to shape the reality of viewers and warp reality. It felt a bit out of place to me, and I wasn't sure exactly why at first. I think it was the disconnect between a commercial, shonen story and the idea of art and images having that much power. The story within the story was a tad melodramatic, but the fit there was better. It answered a lot of questions about why the main character left Hollywood and went back to Japan, anyway.
b Gunslinger Girl 7-10: My heart is going to break. Oh, man. We learn the backstories of more people (ranging from sad to brutal). Someone decides to try to live right around the time we find out that she's running out of time. There's a main character death and a lot more on the way. Lots of reexamining of motives and thoughts and actions and morality present and incoming. Also one romance that is not totally creepy. I'm sure it will end in tragedy. Meanwhile, it seems like the fight against the terrorists is coming to some sort of decisive point, as well. How can this series not be totally creepy? I'm kind of constantly in awe about that. Or maybe it is more creepy than I see it being, and I'm just not in it for that at all, so I can enjoy the rest of the stuff that it is?
"Because I'm a bad guy. 'Course, being a bad guy lets me protect the good guys.. . . Good guys don't wanna do mean things to others, even the ones trying to hurt them. So it takes other bad guys, like me, to protect them.. . . We've got other ways we can contribute. Ways they can't use. And that's what we bad guys can take pride in." 7