b Dengeki Daisy 9:
b Genkaku Picasso 3: "I think human beings are naturally drawn to negative thoughts. Some great thinker once said, 'Pessimism comes from our passions; optimism from the will.'" This trippy, crack-y manga is unique because it's likely the only other thing by this author I will ever read unless Palepoli gets licensed. I couldn't handle some of the stuff in this series, and it's considered a sell-out tame series. Frankly I don't agree. I guess I think that art within contraints/rules is not necessarily sellout art. I like formal poetry and free verse poetry. Both have their own kinds of awesome. I think GP's aggressive weirdness is unique and accomplishes something significant artistically even though it was "toned down" from the author's usual work. I recently read Bakuman 2, and I feel like GP is exactly the kind of thing the editors were talking about when they talked about the other kind of series that was sometimes published in Jump.
b Good Witch of the West novel 2: The Secret Flower Garden:
b Goong
b House of Five Leaves 6: Oh, the tension. Slowly information is revealed, and it is not pretty. Choices are being made. Also, I hate Masa's brother with a passion. I kind of hope everyone's favorite mystery man kills him. Yeah, I hate him that much.
b Kitchen Princess 6:
b Naruto 26-32: "You feel the pain of being alone. And pain is what makes people strong." Ah, Naruto, how I love you in chunks. You are an excellent workout read. I like your art and your relationships and the things you don't come right out and say but actually leave a bit open for interpretation. Also fighting.
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